Erin Vink is an international Ngiyampaa curator and writer, living and working on Gadigal/Sydney where she is Senior Curator, First Nations art at the Art Gallery of New South Wales. Her practice is concerned with interrogating the intersectionality of contemporary Indigenous art between Australian First Nations peoples and global Indigenous kin working across the Great Ocean region. She leads the development of a new collection area for the Art Gallery focused on local and global First Nations contemporary art, with particular focus on the global Indigenous diaspora living and working within Australia. Previously, she was the inaugural Indigenous curator of art for the Australian War Memorial, Kamberri/Canberra.

Her recent curatorial projects include High Colour (2025), Robert Fielding: Nyaru (2024, Canberra Glassworks), Daniel Boyd: Treasure Island (2022-23), The National 2021: New Australian Art (2021), and Exposure: Native Art and Political Ecology (2021-23, the Museum of Contemporary Native American Arts, Sante Fe). At the Australian War Memorial she curated For Our Country, theAboriginal and Torres Strait Islander War Memorial commission by Daniel Boyd and Edition Office (2019). In 2024, Erin was shortlisted as curator for the Australia Pavilion at the Venice Biennale 2026 with Gunditjmara/Djab Wurrung artist Hayley Millar Baker. 

Erin is an alumnus of the National Gallery of Australia’s prestigious Indigenous Arts Leadership program (2019).

Her writing has been published extensively, nationally and internationally.